Here's is a small sample of some of our free singing tips. Most of our tips via e-mail are longer and more detailed than we are able to provide here.
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UNIFY YOUR VOWELS
You know how you can sing one word on a specific note easily, but another word seems much harder? You could probably use some practice and training on unifying your vowels. The ability to unify your vowels and make them sound as if they come from one instrument, having about the same high and low frequencies and blended with no cracks or breaks is one skill that separates the accomplished singer from an amateur.
Learning the facts about tone placement and resonance make a huge difference in the abilities of a singer. In simple terms, a singer has numerous body cavities (nasal cavity, chest cavity, etc.) and amplifiers (bones, ligaments, etc.) that act as resonators. Focusing the vocal tone through the proper resonating chamber with the proper support is a major key to controlling and developing your personal sound.
INCREASE YOUR BREATHING SKILLS
Increase your breathing capacity and control by doing breathing exercises every day. Be sure to avoid patterned breathing. Singers must negotiate phrase lengths of all different sizes, so it is important to be versatile.
KEEP IT CLEAN
When practicing your vocal skills focus on creating a pure and clear tone first, free of airiness, rasp and other tonal changes added for stylistic purposes. If you cannot create a clear tone full of life and energy, you are not singing up to your potential.
So many students avoid improving certain mechanical skills because they claim that it is their style. While it is true that certain things a singer does, shape of their mouth, how they pronounce words, etc., contributes to their signature voice… improving how you create your tone will only make your signature voice better. Don’t back away from understanding your voice; learn all you can about your instrument in order to create your best sound.
ENERGY NOT EFFORT
This is one of the most confusing concepts in singing. Energy in the tone is what we want and Effort is something we want to desperately to avoid. Energy is created naturally when our vocal instrument is in balance and our body is involved in the singing process. It feels good. It feels easy. Sometimes it occurs naturally and other times we may have to make adjustments. Effort usually occurs when singers use their throat muscles/membranes and vocal cords improperly to create volume. We should actually feel and see very little happening in our throat area.
VOLUME AND POWER
Volume and power should be gained by using the muscles in the back and abdomen. If you are losing your voice after 4-6 songs or if you hear a lot of “effort” in your tone (it doesn’t float in a pure fashion), then you are probably using your throat.
NEVER LET THEM SEE YOU SWEAT
The perception of the audience is the reality. Say that out loud, “the perception of the audience is the reality.” What they think is true, is true. So if you sing with confidence and handle that “creative” phrase you accidentally added like a professional, most of your audience will be convinced that you meant to sing it that way. Professionals sing creative nuances, amateurs make mistakes.
Using your articulators (lips, teeth, tip of the tongue) more specifically to create your words will help you sing better and more easily. So many of us swallow our articulation (meaning farther back in our mouth) and that habit gets in the way of resonance, tone placement and other important singing mechanics. To improve your skill, quickly say the articulator tongue twister five times in a row: “lips, teeth, tip of the tongue. Lips, teeth, etc.” Be sure to really concentrate on exaggerating the movements with the articulators. See where all the action is? That is where you feel the action of articulation when you sing. Keep in mind that you will probably feel like you are moving them in a ridiculous fashion if you are not used to using them actively. Check a mirror, you’ll probably be surprised.
PREPARATION MAKES A DIFFERENCE
Singers are very much like athletes. Take care of your body/instrument by stretching out the vocal muscles and relieving the body of unnecessary tension before singing.
High notes require consistent and steady fast moving airflow. Many students tend to hold their breath as they sing higher. Let the air flow. Try increasing your airflow and gauge your result.
INCREASE YOUR AIR SPEED
Increase your air speed for high notes and decrease your air speed for lower notes. Each frequency requires a specific air speed to create the absolute best tone. Many singers push too much air, too quickly, while singing low notes in an attempt to make the note louder. All this does is add stress and tension to the tone. Use your ears to tell you when the proper balance is reached. The tone should sound clear and pure before adding stylistic nuances.
If you have been around organized singing groups or perhaps even studied training you have probably heard these terms: chest voice, middle voice, head voice and belt voice. Some singers have even had the misfortune of studying under these kinds of principles…unfortunately that usually means they can’t sing very many songs and still sound like one person. When they go up for that higher note in the phrase they end up switching to some hooty, covered, “head voice” sound. We won’t go into the foundation of these terms here, but know that your goal as a singer is to manage the balance of resonance in all cavities so you can sing from low to high with a consistent tone.
Be sure to get your rest. Singing well is a very physical art form. If you are tired, your voice will show it. A tired body/instrument will not allow you to produce your best possible sound.
YOU CAN SING
Making an impact on a room is as much about expression as it is physical ability. Take the time to understand your current skill level and exercise your vocal machine to help it become as balanced as possible at your current level. Make a plan for improvement, but ACCEPT your current level and love it. Face every song performance like a football player approaches the field. Forget about everything else except for the current play and how much you love the game. Say to yourself, YOU CAN SING and give it everything you've got.
COPE WITH THE UNEXPECTED
Singing events and challenges occur with every performance. Deal with them the SMART way. Figure out which part of your vocal instrument is out of balance and make an instant adjustment. If you are not sure what actually makes up your “vocal instrument” you would definitely benefit from learning vocal mechanics.
Low notes are often sung with too much, or more specifically too fast of an airflow. Try decreasing your airflow speed, keeping it focused, not pushed, to achieve a more natural, more relaxed tone.
Communicate the music's message. During performance it is very important to communicate the message of the song. If you make a "mistake" don't point it out to your audience. It is most likely they did not even notice.
Never guess the pitch you are about to sing. Hear the note in your head before you open your mouth.
Breathing properly for singing requires the shoulders to remain down and relaxed, not rise with the breath intake. A singer will gain power to their voice by strengthening the muscles in their rib cage and back.
Develop the strength and coordination of the diaphragm and become a pro at controlling the speed of the airflow released, the quantity of the airflow released and the consistency of the airflow released.
FREE YOUR NATURAL VOICE
Don't be a slave to any music style – even your favorite one. Learn to sing with your full and natural voice by developing your vocal strength and coordination. Then add stylistic nuances to achieve any singing style you desire.