Here's is a small sample of some of our free singing tips. Most of our tips via e-mail are longer and more detailed than we are able to provide here.
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Humming should be easy and sound alive. If you cannot hum well, you are not singing up to your potential. Humming is a good way to determine which part of your vocal instrument is not warmed up or pulling its weight. When you hum you should be able to feel the resonant vibration on the front of your face.
When learning to sing your full range and accomplish the desired one voice (same power with similar tone throughout the whole range) singers often experience cracks and breaks. One way to test this is to practice a siren. Slide on the syllable “he” from the bottom of your range to the top. If you do not experience cracks or breaks, try it on all syllables at all volumes. When you find yourself faced with this challenge, it is the common response to “try harder” or “give more effort” on those notes. This is not the way to solve this issue. What you want to do is to lighten up just a bit on these notes, let them float like a feather instead of trying harder and stomping on them. Understand that most often this is caused because muscles and membranes not having the memory they need to make the transition you require, as quickly as you want it made. Repetition will give them memory, so keep practicing. Lighten up just a bit on those notes and sing through the break. Don’t develop the habit of stopping when you “crack” or it will come back to bite you later.
Wishing your voice was pro quality won’t get it there. You’d be surprised what one hour of specific vocal practice five days a week can do. Sorry, this doesn’t usually apply to singing your favorite songs during commute time or singing the same song over and over again in your bedroom. While you may make some improvement this way, making a productive practice vocal plan would be much more efficient and of course, help you make much faster progress.
VOLUME AND POWER
Volume and power should be gained by using the muscles in the back and abdomen. If you are losing your voice after 4-6 songs or if you hear a lot of “effort” in your tone (it doesn’t float in a pure fashion), then you are probably using your throat.
ELASTICITY OF THE VOCAL FOLDS
The vocal tone is created as airflow bursts through the cleft of the vocal cords causing them to vibrate/oscillate. The vocal folds can lose elasticity due to misuse, lack of use and/or increase of age. Be sure to train your voice with vocal exercises on a regular basis to keep your voice in shape.
(E)XERCISE YOUR VOICE REGULARLY
So many singers shy away from actually doing exercises, claiming they can train and warm up by singing their favorite songs. While some professionals will do this in a pinch, most of them train using exercises and warm up their voice prior to performance the same way. Pros know that warm ups will take you through muscle movements that a song never could. Not only will warm ups tell you where you voice is “not awake”, but using them during training can help you develop necessary muscle memory for difficult passages you encounter later. Today it is easy to accomplish these tasks as there are many vocal exercise CDs available. There is even a dynamic and interactive style vocal warm ups system now available at http://VocalWarmups.com. Here is another quick tip…when you go to sing your song, you should be singing it like you sing the vocal exercises. Most of us will exercise with good placement, support, resonance, etc., but when we add words and our favorite melody all that goes out the window. Work at being consistent. If we were a football quarterback, would we practice throwing the ball one way and then throw it completely differently during a game? I don’t think so.
Communicate the music's message. During performance it is very important to communicate the message of the song. If you make a "mistake" don't point it out to your audience. It is most likely they did not even notice.
INCREASE YOUR BREATHING SKILLS
Increase your breathing capacity and control by doing breathing exercises every day. Be sure to avoid patterned breathing. Singers must negotiate phrase lengths of all different sizes, so it is important to be versatile.
PLACEMENT OF YOUR TONE
PLACEMENT OF YOUR TONE refers to where the tone is centered. Mastering tone placement will make your singing incredibly easy and consistent. Some people are born with the skill of good tone placement and others have to really work at it. To get technical, there is both a horizontal and vertical placement. For example: horizontal placement, the tone can be centered at the front of your mouth, the middle or the back (back never preferred). For example: vertical placement, draw a line from the middle of your chin to the top middle of your head. The higher the note, the higher the placement.
QUIT BAD HABITS
Quit smoking. Quit talking too loudly. Quit talking too much. Quit clenching your jaw. Quit holding your breath. Quit beating yourself up for vocal imperfections.
NEVER LET THEM SEE YOU SWEAT
The perception of the audience is the reality. Say that out loud, “the perception of the audience is the reality.” What they think is true, is true. So if you sing with confidence and handle that “creative” phrase you accidentally added like a professional, most of your audience will be convinced that you meant to sing it that way. Professionals sing creative nuances, amateurs make mistakes.
SING THE STORY
Singing is acting through song. Why sing the song and not convey the message? Get emotionally involved with the lyrics. Figure out what would make you spontaneously speak the words and sing them with conviction.
INCREASE YOUR AIR SPEED
Increase your air speed for high notes and decrease your air speed for lower notes. Each frequency requires a specific air speed to create the absolute best tone. Many singers push too much air, too quickly, while singing low notes in an attempt to make the note louder. All this does is add stress and tension to the tone. Use your ears to tell you when the proper balance is reached. The tone should sound clear and pure before adding stylistic nuances.
So many students avoid improving certain mechanical skills because they claim that it is their style. While it is true that certain things a singer does, shape of their mouth, how they pronounce words, etc., contributes to their signature voice… improving how you create your tone will only make your signature voice better. Don’t back away from understanding your voice; learn all you can about your instrument in order to create your best sound.
Be sure to get your rest. Singing well is a very physical art form. If you are tired, your voice will show it. A tired body/instrument will not allow you to produce your best possible sound.
OPEN YOUR MOUTH WIDER
Nine times out of ten this will help you achieve a stronger, more defined vocal tone.
Training in front of a mirror can help a singer discover many things about their instrument, as well as confirm that other actions are being done correctly. Be sure to rely on a mirror during vocal training, but be able to leave the mirror to face an audience.
FREE YOUR NATURAL VOICE
Don't be a slave to any music style – even your favorite one. Learn to sing with your full and natural voice by developing your vocal strength and coordination. Then add stylistic nuances to achieve any singing style you desire.
Never guess the pitch you are about to sing. Hear the note in your head before you open your mouth.
BUILD YOUR SONG PERFORMANCE
Think about how a well-constructed roller coaster builds in intensity and suspense throughout the ride. Your song should have the same sort of ups and downs. For the best results, plan the dynamics (volume and intensity) of your singing. Don’t just sing as powerfully as you can from the get go. Figure out the emotional and natural build of the music and sing accordingly. As an example using a basic song form, you would do your initial build from Verse 1 through Chorus 1, bring them back a bit for Verse 2 only to get a slightly bigger build (than the peak of Chorus 1) on Chorus 2 before exploding into the bridge. Remember, singing is as much an art form as a skill.
Vibrato is a natural or forced fluctuation of a singing tone. Do not concentrate on learning how to sing with vibrato. Instead, concentrate on the basic foundations of singing, breathing and support. When the proper coordination is achieved, vibrato will occur naturally. While forced vibrato can be used effectively, natural vibrato gives the tone a life of its own. Pure and natural vibrato is an unexplained musical phenomenon and can only be achieved through balancing the breath in the vocal instrument.
NEVER DISRESPECT YOUR INSTRUMENT
Never sing if it hurts to swallow.