Here's is a small sample of some of our free singing tips. Most of our tips via e-mail are longer and more detailed than we are able to provide here.
Sign up for FREE SINGING TIPS via email delivery today !
Never hold your breath while singing. The airflow is what creates and carries your vocal tone, so keep it flowing. Avoid Clavicular Breathing and Belly Breathing -- instead, learn the proper way to breathe for singing, called diaphragmatic breathing. Fill the lower portion of your lungs as if you had an inner tube around your waist, evenly filling the entire area.
Be sure to get your rest. Singing well is a very physical art form. If you are tired, your voice will show it. A tired body/instrument will not allow you to produce your best possible sound.
KEEP IT CLEAN
When practicing your vocal skills focus on creating a pure and clear tone first, free of airiness, rasp and other tonal changes added for stylistic purposes. If you cannot create a clear tone full of life and energy, you are not singing up to your potential.
Training in front of a mirror can help a singer discover many things about their instrument, as well as confirm that other actions are being done correctly. Be sure to rely on a mirror during vocal training, but be able to leave the mirror to face an audience.
ENERGY NOT EFFORT
This is one of the most confusing concepts in singing. Energy in the tone is what we want and Effort is something we want to desperately to avoid. Energy is created naturally when our vocal instrument is in balance and our body is involved in the singing process. It feels good. It feels easy. Sometimes it occurs naturally and other times we may have to make adjustments. Effort usually occurs when singers use their throat muscles/membranes and vocal cords improperly to create volume. We should actually feel and see very little happening in our throat area.
Wishing your voice was pro quality won’t get it there. You’d be surprised what one hour of specific vocal practice five days a week can do. Sorry, this doesn’t usually apply to singing your favorite songs during commute time or singing the same song over and over again in your bedroom. While you may make some improvement this way, making a productive practice vocal plan would be much more efficient and of course, help you make much faster progress.
GET OVER IT and GO FOR IT
So many talented young singers come into my studio with a good voice and with work, really shine on their vocal skills…but when it comes to performance they suffer the “I’m afraid I’ll look stupid” syndrome. Why do we do that? We see music videos and concerts every day when artists give us their all, and yet we feel less stupid singing like a statue than we do really going for it? Makes no sense, but this is not a random occurrence. And unfortunately, when you don’t really “perform” the song, you will never be able to give your absolute best performance. Why? Performance involves some sort of emotional connection with the song, when you put the emotion on your face and in your body, you will sing completely differently than the statue, no matter how knowledgeable.
COPE WITH THE UNEXPECTED
Singing events and challenges occur with every performance. Deal with them the SMART way. Figure out which part of your vocal instrument is out of balance and make an instant adjustment. If you are not sure what actually makes up your “vocal instrument” you would definitely benefit from learning vocal mechanics.
If you are having trouble getting your body completely involved with singing, try doing some cardiovascular activities, like jumping jacks, for a few minutes before getting started again. Sometimes your instrument simply needs an airflow wake-up call.
UNIFY YOUR VOWELS
You know how you can sing one word on a specific note easily, but another word seems much harder? You could probably use some practice and training on unifying your vowels. The ability to unify your vowels and make them sound as if they come from one instrument, having about the same high and low frequencies and blended with no cracks or breaks is one skill that separates the accomplished singer from an amateur.
ELASTICITY OF THE VOCAL FOLDS
The vocal tone is created as airflow bursts through the cleft of the vocal cords causing them to vibrate/oscillate. The vocal folds can lose elasticity due to misuse, lack of use and/or increase of age. Be sure to train your voice with vocal exercises on a regular basis to keep your voice in shape.
KNOW YOUR LIMITS
Don't sing too high or too low. Don't sing to the point of vocal fatigue. Never strain or push your voice. Doing so will not result in a higher or lower singing range, or a stronger voice, only a voice that has suffered undue stress.
UNIQUE VOICE UNDER CONSTRUCTION
Remember that your voice has its own unique fingerprint and is constantly changing with our actions, environment, health habits, etc. With this in mind, listen to your own voice often and use vocal training tools to keep your voice on the right track. Stylistically embrace the changes that occur over time, but discipline your vocal machine to remain in balance to support your artistry. Embrace your uniqueness and enjoy your voice.
Develop the strength and coordination of the diaphragm and become a pro at controlling the speed of the airflow released, the quantity of the airflow released and the consistency of the airflow released.
SING THE STORY
Singing is acting through song. Why sing the song and not convey the message? Get emotionally involved with the lyrics. Figure out what would make you spontaneously speak the words and sing them with conviction.
High notes require consistent and steady fast moving airflow. Many students tend to hold their breath as they sing higher. Let the air flow. Try increasing your airflow and gauge your result.
The show must go on! Sometimes we can’t help but let our emotions and personal life circumstances affect our performances. We are human, after all. However, with practice and meditation you can learn to clear you head and totally focus on connecting with your song and the appropriate emotions of your selection, instead of whatever else was distracting you. Your body language and expression communicate your focus…but it’s your eyes that communicate your thoughts most of all.
Resonance is commonly defined as the “key to your signature voice.” As singers, we are far more interested on how we manipulate it that it’s textbook definition. Resonance is created by the sound wave/frequency you are creating is shaped and amplified by dancing in a resonating cavity (chest, mouth, nasal, sinus). The resonating cavity we have the most control over is the size and shape of our mouth. So play around with the size and shape of the mouth to hear changes in your resonance. With regard to mouth shape, taller is preferred over wider.
Humming should be easy and sound alive. If you cannot hum well, you are not singing up to your potential. Humming is a good way to determine which part of your vocal instrument is not warmed up or pulling its weight. When you hum you should be able to feel the resonant vibration on the front of your face.
If you have been around organized singing groups or perhaps even studied training you have probably heard these terms: chest voice, middle voice, head voice and belt voice. Some singers have even had the misfortune of studying under these kinds of principles…unfortunately that usually means they can’t sing very many songs and still sound like one person. When they go up for that higher note in the phrase they end up switching to some hooty, covered, “head voice” sound. We won’t go into the foundation of these terms here, but know that your goal as a singer is to manage the balance of resonance in all cavities so you can sing from low to high with a consistent tone.
QUIT BAD HABITS
Quit smoking. Quit talking too loudly. Quit talking too much. Quit clenching your jaw. Quit holding your breath. Quit beating yourself up for vocal imperfections.
Most people don’t realize how tense their jaw is…because it feels perfectly natural to them. Be sure to stretch out your face and jaw muscles and even make a specific point to monitor your jaw when singing to be sure it truly is relaxed. If your jaw is tense, you will not receive your best tone and perhaps even have trouble hitting some of the higher tones.