Here's is a small sample of some of our free singing tips. Most of our tips via e-mail are longer and more detailed than we are able to provide here.
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High notes require consistent and steady fast moving airflow. Many students tend to hold their breath as they sing higher. Let the air flow. Try increasing your airflow and gauge your result.
ENERGY NOT EFFORT
This is one of the most confusing concepts in singing. Energy in the tone is what we want and Effort is something we want to desperately to avoid. Energy is created naturally when our vocal instrument is in balance and our body is involved in the singing process. It feels good. It feels easy. Sometimes it occurs naturally and other times we may have to make adjustments. Effort usually occurs when singers use their throat muscles/membranes and vocal cords improperly to create volume. We should actually feel and see very little happening in our throat area.
If you have been around organized singing groups or perhaps even studied training you have probably heard these terms: chest voice, middle voice, head voice and belt voice. Some singers have even had the misfortune of studying under these kinds of principles…unfortunately that usually means they can’t sing very many songs and still sound like one person. When they go up for that higher note in the phrase they end up switching to some hooty, covered, “head voice” sound. We won’t go into the foundation of these terms here, but know that your goal as a singer is to manage the balance of resonance in all cavities so you can sing from low to high with a consistent tone.
KEEP IT CLEAN
When practicing your vocal skills focus on creating a pure and clear tone first, free of airiness, rasp and other tonal changes added for stylistic purposes. If you cannot create a clear tone full of life and energy, you are not singing up to your potential.
PLACEMENT OF YOUR TONE
PLACEMENT OF YOUR TONE refers to where the tone is centered. Mastering tone placement will make your singing incredibly easy and consistent. Some people are born with the skill of good tone placement and others have to really work at it. To get technical, there is both a horizontal and vertical placement. For example: horizontal placement, the tone can be centered at the front of your mouth, the middle or the back (back never preferred). For example: vertical placement, draw a line from the middle of your chin to the top middle of your head. The higher the note, the higher the placement.
SING THROUGH THE VOCAL BREAK
If you do not teach the muscles the necessary actions to sing through the trouble spots, success will never be achieved. If you constantly stop every time you hear a crack or break…how will you ever get past it? Easy. Practice singing through those notes repeatedly. Don't PUSH through the break, LIFT through the break, keeping your chin in a down position. If your chin starts to lift to the sky and you are not properly prepared underneath (diaphragm, palate, etc.), you're gonna crack.
Wishing your voice was pro quality won’t get it there. You’d be surprised what one hour of specific vocal practice five days a week can do. Sorry, this doesn’t usually apply to singing your favorite songs during commute time or singing the same song over and over again in your bedroom. While you may make some improvement this way, making a productive practice vocal plan would be much more efficient and of course, help you make much faster progress.
PREPARATION MAKES A DIFFERENCE
Singers are very much like athletes. Take care of your body/instrument by stretching out the vocal muscles and relieving the body of unnecessary tension before singing.
NEVER DISRESPECT YOUR INSTRUMENT
Never sing if it hurts to swallow.
Most people don’t realize how tense their jaw is…because it feels perfectly natural to them. Be sure to stretch out your face and jaw muscles and even make a specific point to monitor your jaw when singing to be sure it truly is relaxed. If your jaw is tense, you will not receive your best tone and perhaps even have trouble hitting some of the higher tones.
Be sure to get your rest. Singing well is a very physical art form. If you are tired, your voice will show it. A tired body/instrument will not allow you to produce your best possible sound.
COPE WITH THE UNEXPECTED
Singing events and challenges occur with every performance. Deal with them the SMART way. Figure out which part of your vocal instrument is out of balance and make an instant adjustment. If you are not sure what actually makes up your “vocal instrument” you would definitely benefit from learning vocal mechanics.
QUIT SINGING THROUGH YOUR NOSE
Nasal tone qualities occur when there is too much resonance in your nasal cavity and not enough sympathetic resonance or overtones being created in other cavities. One quick fix is to simply open your mouth taller.
Breathing properly for singing requires the shoulders to remain down and relaxed, not rise with the breath intake. A singer will gain power to their voice by strengthening the muscles in their rib cage and back.
BUILD YOUR SONG PERFORMANCE
Think about how a well-constructed roller coaster builds in intensity and suspense throughout the ride. Your song should have the same sort of ups and downs. For the best results, plan the dynamics (volume and intensity) of your singing. Don’t just sing as powerfully as you can from the get go. Figure out the emotional and natural build of the music and sing accordingly. As an example using a basic song form, you would do your initial build from Verse 1 through Chorus 1, bring them back a bit for Verse 2 only to get a slightly bigger build (than the peak of Chorus 1) on Chorus 2 before exploding into the bridge. Remember, singing is as much an art form as a skill.
MONEY NOTES MATTER
Let’s face it. If you are singing a song with a big money note, let’s be real. You can knock the rest of the song out of the park, but if you miss the money note that’s all your audience will remember. A lot of times singers miss money notes because they are worried about it and if you even think for a moment that it “might not happen” you just increased your odds of it not happening by a great deal. Usually it is only one or two notes of a phrase that reach that “money” potential. When you focus specifically on the note, you compartmentalize it and tell your subconscious to watch out for it. Instead, in practice try concentrating on the phrase. Figure out how to use the phrase to your advantage. Sometimes changing your placement on the note(s) just before your money note can make a huge difference. And of course, during performance…see yourself hitting that note like a pro. If you can see it and you believe it, you’ll hit it almost every time.
The show must go on! Sometimes we can’t help but let our emotions and personal life circumstances affect our performances. We are human, after all. However, with practice and meditation you can learn to clear you head and totally focus on connecting with your song and the appropriate emotions of your selection, instead of whatever else was distracting you. Your body language and expression communicate your focus…but it’s your eyes that communicate your thoughts most of all.
So many students avoid improving certain mechanical skills because they claim that it is their style. While it is true that certain things a singer does, shape of their mouth, how they pronounce words, etc., contributes to their signature voice… improving how you create your tone will only make your signature voice better. Don’t back away from understanding your voice; learn all you can about your instrument in order to create your best sound.
WATER WATER WATER
Drink room temperature water as often as you can to keep hydrated. If you only have cold or hot water available, swish it around in your mouth for a moment. This action will keep related muscles from being startled or stressed by different temperatures. Keep in mind that if you only drink water when you feel the dehydration during performance, the water you intake will be dispersed to the larger muscles in the body, not your vocal cords. In order to avoid vocal dehydration during performance, pay attention to your body's hydration all-day, every-day.
OPEN YOUR MOUTH WIDER
Nine times out of ten this will help you achieve a stronger, more defined vocal tone.
Humming should be easy and sound alive. If you cannot hum well, you are not singing up to your potential. Humming is a good way to determine which part of your vocal instrument is not warmed up or pulling its weight. When you hum you should be able to feel the resonant vibration on the front of your face.
DARE TO TRY SOMETHING DIFFERENT
So many singers practice the same song, the same way, over and over and over again. If it didn’t work the first twenty times, why is it going to work the twenty-first? Try altering different aspects of your singing and attempt to find an easier way to accomplish your best sound. For example, increase/decrease articulation, increase/decrease the amount of airflow, increase/decrease diaphragm support, alter tone placement, alter resonance…get the picture?